Consumer Retorts: Rants and Raves on the Business of Self- and Home-Improvement
Copying Machines: Taking Notes for the Automaton by Catherine Liu (2000)
Oriental Girls Desire Romance by Catherine Liu (novel, 1997)
[this recent dissertation discusses the novel]
Rrrevolutionnaire: Conversations in Theory (2006), Afterword by Catherine Liu
Catherine Liu, Art Escapes Criticism, or Adorno's Museum Cultural Critique vol 60 (2005), 217-244
Catherine Liu, A Brief Genealogy of Privacy Grey Room (Spring 2004)
Catherine Liu, The Last Picture Show Aperture 175 (May 2004)
Catherine Liu, Lacan’s Afterlives: Jacques Lacan meets Andy Warhol Cambridge Companion to Lacan
(2003)
Catherine Liu, Lacanian Reception Lacan in America, ed. Jean-Michel Rabaté (The Other Press, 2000)
Catherine Liu, Getting to the Photo-Finish: Photography, Autobiography, Modernity South Atlantic Quarterly 101:3 (October 2002)
Catherine Liu, Conspiracy (Theories) South Atlantic Quarterly 97:2 (Spring 1998)
The Abject, America ed. Catherine Liu (Lusitania 1:4, winter 1992)
The Hunchback of Notre Dame by Victor Hugo, trans. Catherine Liu (2002)
Erotic Anger: A User's Manual by Gerard Pommier, trans. Catherine Liu (2001)
Catherine Liu, Saturday Night Fever or What is a Picture? Lacanian Ink 9 (winter 1995)
Catherine Liu, Telacan: Tiananmen Lacanian Ink 3 (spring 1994)
Suicide of an Assistant Professor by Catherine Liu (novel, not currently contracted)
1 Comments:
Now, that's what I call knowing what's what. No fakey groveling gratitude in place of fear, but a deep appreciation for the goodness of living. Here's that sense of freedom from a life of stifling powerlessness, free from that frozen sense of being unable to turn to the left or the right for fear of a shock, a pain, hunger, loneliness, deperation, homelessness, psychological angst, or some sharp biting retort to keep one in one's place.
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