Don't Ask Me!
Consumer Retorts: Rants and Raves on the Business of Self- and Home-Improvement
- Ahmadinejad's Letter to Bush
- Wow!
- Heteronormative vs. Debtornormative
- The Facial Deathmask
- China Hand
- The unbearable banality of art journalism
- The difference between the OC and Dutchess County
- too hot to blog
- Via Doug Henwood, BHL on Zidane
- The Lighter Side of Mayhem
Print Publications
Copying Machines: Taking Notes for the Automaton by Catherine Liu (2000)
Oriental Girls Desire Romance by Catherine Liu (novel, 1997)
[this recent dissertation discusses the novel]
Rrrevolutionnaire: Conversations in Theory (2006), Afterword by Catherine Liu
Catherine Liu, Art Escapes Criticism, or Adorno's Museum Cultural Critique vol 60 (2005), 217-244
Catherine Liu, A Brief Genealogy of Privacy Grey Room (Spring 2004)
Catherine Liu, The Last Picture Show Aperture 175 (May 2004)
Catherine Liu, Lacan’s Afterlives: Jacques Lacan meets Andy Warhol Cambridge Companion to Lacan
(2003)
Catherine Liu, Lacanian Reception Lacan in America, ed. Jean-Michel Rabaté (The Other Press, 2000)
Catherine Liu, Getting to the Photo-Finish: Photography, Autobiography, Modernity South Atlantic Quarterly 101:3 (October 2002)
Catherine Liu, Conspiracy (Theories) South Atlantic Quarterly 97:2 (Spring 1998)
The Abject, America ed. Catherine Liu (Lusitania 1:4, winter 1992)
The Hunchback of Notre Dame by Victor Hugo, trans. Catherine Liu (2002)
Erotic Anger: A User's Manual by Gerard Pommier, trans. Catherine Liu (2001)
Catherine Liu, Saturday Night Fever or What is a Picture? Lacanian Ink 9 (winter 1995)
Catherine Liu, Telacan: Tiananmen Lacanian Ink 3 (spring 1994)
Suicide of an Assistant Professor by Catherine Liu (novel, not currently contracted)
1 Comments:
this is terrific. As I started watching, I was anticipating that this was going to be an advertisement for something (which, I think, underscores an expectation that images of icons are usually recycled for advertising purposes more than anything else today). Thanks for sharing...
nn.
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