Consumer Retorts: Rants and Raves on the Business of Self- and Home-Improvement
Copying Machines: Taking Notes for the Automaton by Catherine Liu (2000)
Oriental Girls Desire Romance by Catherine Liu (novel, 1997)
[this recent dissertation discusses the novel]
Rrrevolutionnaire: Conversations in Theory (2006), Afterword by Catherine Liu
Catherine Liu, Art Escapes Criticism, or Adorno's Museum Cultural Critique vol 60 (2005), 217-244
Catherine Liu, A Brief Genealogy of Privacy Grey Room (Spring 2004)
Catherine Liu, The Last Picture Show Aperture 175 (May 2004)
Catherine Liu, Lacan’s Afterlives: Jacques Lacan meets Andy Warhol Cambridge Companion to Lacan
(2003)
Catherine Liu, Lacanian Reception Lacan in America, ed. Jean-Michel Rabaté (The Other Press, 2000)
Catherine Liu, Getting to the Photo-Finish: Photography, Autobiography, Modernity South Atlantic Quarterly 101:3 (October 2002)
Catherine Liu, Conspiracy (Theories) South Atlantic Quarterly 97:2 (Spring 1998)
The Abject, America ed. Catherine Liu (Lusitania 1:4, winter 1992)
The Hunchback of Notre Dame by Victor Hugo, trans. Catherine Liu (2002)
Erotic Anger: A User's Manual by Gerard Pommier, trans. Catherine Liu (2001)
Catherine Liu, Saturday Night Fever or What is a Picture? Lacanian Ink 9 (winter 1995)
Catherine Liu, Telacan: Tiananmen Lacanian Ink 3 (spring 1994)
Suicide of an Assistant Professor by Catherine Liu (novel, not currently contracted)
1 Comments:
edward said got it only half right when he decried orientalism. what we have among the Chinese is rampant occidentalism....taking its cue from the Pacific and pacified perspective on the Mediterranean that is SoCal -- spain, italy, california all mashed into one big ball of reified mediocrity, bringing within grasp of the newly rich a sense of immediate access: reification looks the same everywhere...
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